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The Continuous Creative Act of Holding on and Letting Go: 10 Beautiful Minds on the Art of Growing Older

People ask: “Would you or would you not like to be young again?” Of course, it is really one of those foolish questions that never should be asked, because they are impossible.
external linkhttps://themarginalian.org/2025/12/…
 

Out of Time

On the art of Kerry James Marshall.
external linkhttps://artforum.com/features/kerry…
 

As Disney Hall Showed, Frank Gehry’s Los Angeles Was Urban, but Not Urbanist

So often in L.A., historically the capital of cultural artifice, architects use the urban fabric not as a tapestry but simply as a backdrop.
external linkhttps://commonedge.org/as-disney-ha…
 

Anselm Kiefer with Michael Auping

Since I want to create a masterpiece, beginning a painting feels often disastrous. It seems impossible.
external linkhttps://brooklynrail.org/2025/12/ar…
 

Becoming a Centenarian

Happy New Year!
external linkhttps://newyorker.com/magazine/2025…
 

The World Is Yours. Here, Take It.

Joe Brainard's C Comics ran for only two issues, but it remains a testament to the absorbing pleasure of making art with your friends.
external linkhttps://poetryfoundation.org/articl…
 

And Your Little Dog, Too

I love him.
external linkhttps://newyorker.com/magazine/2025…
 

Sea Ranch Let Her Feel ‘Life and Death and Dark and Light’

The architect Suchi Reddy designed a weekend home on a cliff in the famed planned community to help Ivy Ross, a Google executive, get out of her mind and into her body.
external linkhttps://nytimes.com/2025/12/08/real…
 

The Twilight of the Starchitect

The larger-than-life persona of the starchitect is now a shrinking island of public focus because of the internet’s dominance and ubiquity. Everyone, and no one, is famous.
external linkhttps://commonedge.org/the-twilight…
 

The High-Born Rebel Who Took Up the Cause of the Commoner

A new biography details the secrets and scandals of the Mitfords, a notorious family of aristocrats—and of the one sister who broke away from the rest.
external linkhttps://newyorker.com/magazine/2025…
 

When We All Get To Heaven

And now, a podcast.
external linkhttps://slate.com/podcasts/when-we-…
 

Frank Gehry, the Disrupter, Opened Their Imaginations

Our pal Sam Lubell on Frank Gehry.
external linkhttps://nytimes.com/2025/12/05/arts…
 

A Battle with My Blood

It's a tough one.
external linkhttps://newyorker.com/culture/the-w…
 

The Strange Afterlife of Hilma af Klint, Painting’s Posthumous Star

As af Klint’s fame has grown, so have the questions—about what she believed, whom she worked with, and who should be allowed to speak in her name.
external linkhttps://newyorker.com/magazine/2025…
 

Can ceramics be demonic? Edmund de Waal’s obsession with a deeply disturbing Dane

The great potter explains why he turned his decades-long fixation with Axel Salto – maker of unsettling stoneware full of tentacle sproutings and knotty growths – into a new show.
external linkhttps://theguardian.com/artanddesig…
 

Patti Smith on the One Desire That Lasts Forever

All desires save one are fleeting, but that one lasts forever. That was the desire for wisdom.
external linkhttps://nytimes.com/2025/11/18/opin…
 

American Literature Owes a Great Debt to This 20th-Century ‘Insider’

By championing now-essential writers like William Faulkner, Malcolm Cowley helped remake the U.S. literary canon.
external linkhttps://nytimes.com/2025/11/10/book…
 

Exclusive Interview: filmmaker Ira Sachs on Peter Hujar’s Day – “it’s a love story about a friendship”

With a career spanning more than three decades, Ira Sachs is one of the most acclaimed American independent filmmakers of his generation with work in the permanent collections of the Museum of Modern Art and the Whitney.
external linkhttps://thequeerreview.com/2025/11/…
 

Who My Child Was and Would Be

When Nat transitioned, I learned that when someone you love changes, you change, too.
external linkhttps://newyorker.com/magazine/2025…
 

Robert Rauschenberg’s Art of the Real

Just delicious.
external linkhttps://newyorker.com/magazine/2025…
 

‘A model of the transnational artist’: Cuban artist Wifredo Lam gets first US retrospective

The major modernist artist is finally getting a blockbuster exhibition at New York’s Museum of Modern Art, celebrating a career filled with innovation
external linkhttps://theguardian.com/artanddesig…
 

The Mamdani Era Begins

His opponents tried to smear him for his youth, inexperience, and leftist politics. But New Yorkers didn’t want a hardened political insider to be mayor—they wanted Zohran Mamdani.
external linkhttps://newyorker.com/news/our-loca…
 

Where Housing Meets Humanity

By my pal Sam Lubell!
external linkhttps://metropolismag.com/projects/…
 

Our Housing Crisis Is a Monumental Failure of Design

America’s housing crisis is not a glitch in the system—it’s a feature.
external linkhttps://commonedge.org/our-housing-…
 

What a 1970s Commune in Arizona Got Right About Desert Urbanism

Architect Paolo Soleri’s experimental city, Arcosanti, was planned for 5,000 people; 50 years later, it holds just a fraction of that figure. But it still has lessons for living in extreme heat.
external linkhttps://bloomberg.com/news/features…
 

Would You Work for Trump?

Every architect understands that an ethically challenged client or project can imperil a practice.
external linkhttps://commonedge.org/would-you-wo…