“There are lines in the play,” says Tom Stoppard, thinking back to a few years ago, when he was working on “Leopoldstadt,” “that land in a very different way now.”
https://nytimes.com/interactive/202…“There are lines in the play,” says Tom Stoppard, thinking back to a few years ago, when he was working on “Leopoldstadt,” “that land in a very different way now.”
https://nytimes.com/interactive/202…